His Command
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His Command

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The First Collar
11
Chapter 11 of 13

The First Collar

The sun is still on the table when Ethan rises and crosses to the sideboard, and he comes back with a strip of black leather in his hands, a small silver ring at its throat. He stops in front of her chair and looks down at her, and she understands the question before he asks it — she rises and kneels on the floor at his feet, the marble cold through her knees. He bends and fits the collar around her neck, the leather warm from his hands, and the buckle clicks shut under her chin. His thumb traces the edge of it where it sits against her pulse, and he says, 'Now you tell me what you want,' and the word she has been holding rises in her throat like a stone. The act this chapter delivers: Ethan buckles a leather collar around Lianna's neck as she kneels at his feet, then lifts her chin and kisses her hard, his hand on the collar, taking his time groping her body, making her intensely sensitive to his touch, whispering humiliating dirty words in her ear of what he's going to do with her before she begs over and over for his cock. he leads her to the bedroom and orders her into position before tying her up, and punishing her with impact play until she is. wet begging mess, pussy wet and twitching from need

The finger stayed on the line. His finger, flat on the paper, on her two letters, and the sun moved across the marble and touched the silver of his watch, and Lianna watched the light climb the links and did not move, because moving felt like taking it back. She had signed. The ink was dry. She could feel her own pulse in her throat, in her wrists, in the small place behind her knee where the chair edge pressed.

Then he took his hand away.

He rose. The chair legs scraped the floor — a short, ugly sound in the bright room — and he crossed to the sideboard, and she heard a drawer open. Not the drawer with the pens. A lower one, and it slid with a weight to it, and she turned her head to follow him because she was allowed to look, because he had never told her not to look, and she watched his back, the charcoal sweater pulled across his shoulders, the way he stood with his weight on one leg like a man who had all morning.

He came back with something in his hand.

A strip of black leather, doubled over his palm. A small silver ring at its throat, catching the sun. The leather was old — she could see it from where she sat, the soft sheen of something worn smooth by years of hands, not bought new for her, and that detail went through her like a swallowed stone, because it meant he had not gone shopping for this. It meant this existed before she did.

He stopped in front of her chair and looked down.

He did not say anything. He did not hold it up or turn it so the light could catch the ring. He just stood there with it in his hand and looked at her, and the question was in the room before either of them spoke it, the way the question had been in the room the first night when he'd put the folder on the counter and walked away — the same architecture of waiting, the same room inside a bigger house.

She understood.

Lianna pushed her chair back. It made its own scrape, and she stood, and her knees were already telling her what they wanted — the ache from last night, the good hurt, the pull in the muscle that reminded her of him with every step — and she stepped away from the table, and she went down.

The marble was cold. It came up through her knees like a hand, and she felt it in her shins, in her thighs, in the place where her body had learned to open. She knelt on the kitchen floor at Ethan Zhao's feet, wearing nothing but his shirt from the night before, her hair loose down her back, and she put her hands on her thighs the way she had learned — palms down, fingers together, still — and she looked up at him and waited.

He looked down at her for a long time. Long enough that the cold started to matter. Long enough that she could hear the refrigerator hum, and the rain from the night before had stopped, and somewhere out in the city a truck was backing up with that sound trucks make, the beeping, the ordinary world going on outside the glass.

Then he bent.

He came down to her, one knee to the floor, unhurried, and the leather was warm when it touched her throat — warm from his hand, from his pocket, from wherever it had been kept — and he brought the strip around behind her neck and she felt the ring settle into the hollow at the base of her throat, a small weight, a cold circle, and then his fingers found the buckle at the back.

The click was quiet. It was nothing like the pen. The pen had been a struck match; this was a lock turning in a door two rooms away, and she felt it in her jaw, in her ears, in the sudden smallness of her own breathing.

He did not tighten it. She knew that immediately — the leather sat loose against her collarbone, room enough to swallow, room enough to breathe, and she understood that the looseness was deliberate, that he wanted her to feel it not as a grip but as a fact. It was there. It would be there. She could forget it for a minute and then the ring would move when she swallowed and she would remember, and remembering would be the whole point.

His thumb came up and traced the edge of the leather where it sat against her pulse.

Back and forth. Once. Twice. He was reading her heartbeat through the collar the way he had read it through her wrist at the door, and she sat very still under it, because rule six, because when his hand was on her she was still until he moved, and the stillness had stopped being obedience somewhere in the last day and had started being something closer to hunger.

"Now," he said. Low. The voice he used on the phone and in the dark and at her ear. "You tell me what you want."

The word rose in her throat like a stone.

She had been holding it since the doorway. Since You. Since the kitchen at four in the morning with her question in the margin. Since the checklist and the pen and the two letters she had put on the paper herself. It was there, and it was heavy, and it had a shape, and the shape was not a sentence — it was a want, an animal thing with no grammar, and she had spent twenty-two years learning to say everything except this.

Her hands stayed flat on her thighs. She did not reach for him. She did not look away.

"You," she said. "Inside me. I want to be fucked."

The words came out level. Almost calm. Only the last one caught, a half-step, like a foot finding a stair that wasn't there — and she heard it, and she did not take it back, and something in her chest let go at the sound of her own crude mouth saying what it wanted in a bright kitchen with the sun on the floor.

Ethan's hand closed around the collar. Not tight. Just — closed, his fingers curling under the leather at the side of her neck, and he pulled her up by it, and she came up off her knees and onto her feet in one motion, the ring biting once against her throat, and then his mouth was on hers.

Hard. He kissed her hard, the way he had in the bedroom doorway, but this was not a doorway, this was the middle of the room and there was nothing to brace against, and his free hand went into her hair at the back of her skull and held her head where he wanted it while his tongue pushed into her mouth and she opened for him, opened all the way, his shirt falling open off her shoulders and the cold air finding her skin.

He kissed her for a long time. Longer than a kiss should be, longer than she had known a kiss could be, his mouth moving over hers slow and thorough while his hand stayed on the collar and his other hand stayed in her hair, and she felt every second of it in the wrong places — in her nipples, in the small of her back, between her legs where she was already, already, slick and ashamed of how fast it had happened.

He broke off. His mouth went to her ear.

"You're dripping," he said. "I can smell it. You knelt down on my floor and you got wet before I even put the collar on, didn't you."

She made a sound. Not a word.

"Answer."

"Yes."

"Say it properly."

Her face burned. The sun was on it. She could feel the heat in her cheeks and her throat above the leather and she hated it and she wanted more of it, and that was the thing she was learning about herself in this apartment — that the burn was the point, that being made to say it was the thing she'd been starving for while she read books about it in her dorm room and touched herself with two fingers and a locked door and called it knowing.

"I got wet," she said. "Kneeling. Before you put the collar on."

"Good girl."

His hand left her hair and went down. He palmed her breast through nothing — she was wearing his shirt and nothing else, and the shirt was open, and his hand closed over her bare breast and squeezed, hard enough that she gasped, and his thumb dragged across her nipple once and it was already hard and it hurt in the good way, the way that made her hips tilt forward without asking.

"You're so sensitive today," he said. Almost conversational. His hand moved to the other breast, same treatment, same hard squeeze, and she heard herself whimper and the sound was small and far away. "Everything I do to you lands twice. Feel that?"

"Yes."

"Why."

She didn't know. She knew. "Because I — because I want it so much."

"Because you signed." His hand slid down her ribs, over the small scar on her ribcage, past her waist, and stopped at her hip. "Because you put your letters on my page and now your body knows it's mine to touch. That's what a collar does. It doesn't make you want anything. It just tells your skin the truth."

His fingers went between her legs.

She was so wet it was obscene. He found her with two fingers flat and slid them through the slick, up the whole length of her, and she jerked against his hand and he held her hip still with the other one — still, be still — and dragged his fingers back down through her cunt, slow, gathering it, and brought them up to her clit and pressed.

Not circles. Pressure. Just pressure, flat and steady, and she stood in his kitchen on legs that had gone soft and let him hold her up by the hip and the collar and do that to her, and the ring moved against her throat every time she swallowed.

"You're going to beg me for my cock," he said into her ear. "In a minute. You're going to say please and you're going to say it more than once, and you're going to mean it every time, and I'm going to stand here and listen to you do it."

"Please."

"Not yet."

His fingers moved. Two of them slid down and pushed into her, and she was so slick they went in to the knuckle without resistance, and the sound was wet and specific and loud in the kitchen, and she heard it and her whole body flushed. He curled them. He knew where. He had learned her body in one night and one morning the way he learned everything, and he found the place inside her with two fingers and pressed, and her knees buckled and he caught her against his chest and kept pressing.

"Say it," he said.

"Please — please fuck me."

"With what."

"Your cock." The word was easier the second time. It came out of her mouth like something she owned. "Please, Ethan, I want your cock inside me, I want — " and she heard her own voice crack and did not stop, " — I want you to fuck me until I can't think, please, please — "

He pulled his fingers out. She felt the loss like a slap, a sudden empty clench, and she made a noise that was not dignified, and he wiped his fingers on her hip, unhurried, and then took her by the back of the neck under the collar and walked her.

Down the hall. Past the office where the folder had sat. Past the window with the hairline crack in the ceiling corner that she had stared at at four in the morning. Into the bedroom, where the light was different — softer, the sun on the other side of the building now — and the bed was still unmade from the night, and she saw that and it did something to her, the unmade bed, the evidence of them.

"On the bed," he said. "Face down. Hands behind your back."

She climbed onto the mattress and lay down, and the sheets smelled like both of them, and she put her hands behind her back, wrists crossed, and turned her face to the side and watched him move around the room.

He opened a drawer she had not seen him open. He took out a length of black rope — soft, thick, the kind that would not cut — and a flat wooden paddle, no bigger than his hand, and he laid them both on the bed beside her hip where she could see them, and then he stood there and let her look.

"You initialed impact play," he said. "You initialed bondage. You read the lines and you put your letters next to them, so I'm going to assume you meant it. If you didn't, you say so now."

Her mouth was dry. Her cunt was not. She looked at the paddle and felt her thighs press together on their own, and she understood that she was afraid and that the fear was not a stop sign, it was the road.

"I meant it," she said.

"Words."

"Yes. I meant it. I want it."

He knelt on the bed behind her. His weight dipped the mattress and her body rolled a little toward him, and his hands came down on her — one on the small of her back, one gathering her wrists — and he wound the rope around them, cross and loop, cross and loop, and she felt the pull at her shoulders and the way it changed her breathing, her chest pressed to the mattress, her shoulder blades drawn together, her breasts flattened under her, everything narrower, everything more.

He tested it. Two fingers under the rope at her wrists. Not too tight. The same courtesy as the collar, and she understood that the courtesy was not softness — it was precision. He wanted her to feel held, not hurt. He wanted the hurt to come from somewhere he chose.

"Count," he said.

The first strike landed on her ass and it was nothing, a flat warm smack, and she said, "One," and her voice was steady.

The second was harder. "Two."

The third landed on the same spot and the heat bloomed and spread and she said, "Three," and her hips moved against the mattress without her permission.

He paused. His hand came down flat on the hot skin, just resting there, and she felt the heat under his palm like something she'd made for him.

"You're grinding on my sheets," he said. "You're getting off on being hit. Say it."

"I'm getting off on it."

"On what."

"On you hitting me."

"On me owning you."

"Yes." Her voice broke on it. "Yes."

He hit her again. Four. Five. Six. He varied it — sometimes the paddle, sometimes his palm, sometimes the flat of his hand coming down on the other cheek so the heat moved around and never settled, and by eight she had stopped counting clearly and by ten she was saying the numbers into the pillow and her thighs were wet and sliding against each other and she could feel her own slick on the inside of her leg, and every strike sent a pulse straight down into her clit like a wire pulled tight.

"Twelve," she said. "Please."

"Please what."

"Please fuck me. Please, I can't — I need it, Ethan, please — "

He set the paddle down. She heard it touch the nightstand, a small wooden knock, and then his hands were on her hips, lifting her, pulling her up onto her knees with her wrists still bound behind her back, and she was open and exposed and dripping and she could not see him and that was the worst of it, that was the best of it, face down with her ass in the air and her hands useless behind her and no way to reach for him.

His hand came down between her shoulder blades and pressed her face into the mattress.

"Stay," he said.

She felt him behind her. The blunt head of his cock sliding through her slick, up and down, gathering it, not entering — just there, just at her, and her whole body strained against the rope, and she heard herself make a sound like a sob.

"Tell me again."

"Please — "

"Again."

"Please fuck me, please put it in me, I want your cock, I want it, please — "

He pushed in.

All the way, one motion, no pause at the entrance — she was wet enough that he slid in to the base and she felt every inch of the stretch, the full ache of it, the way her cunt had to open around him and then close, and she screamed into the mattress, muffled, and he stayed there, buried, not moving, letting her feel the size of him.

"There," he said. "That's what you wanted. Say thank you."

"Thank you."

"Thank you what."

"Thank you for your cock."

He pulled out slow, all the way to the tip, and she felt the drag of it, the wet grip of her own body trying to keep him, and then he drove back in and the slap of his hips against her reddened ass was loud and she cried out and he did it again, and again, and set a rhythm — deep, hard, the whole length of him each time, his hand fisted in the rope between her wrists so he could pull her back onto him, and the other hand on her hip, and the collar loose at her throat moving with every thrust.

"You feel that," he said. His voice had gone rough at the edges, the first crack in it she had ever heard, and she clung to that crack like a handhold. "You feel how wet you are. You're so wet I could hear it from the door. Say it."

"I'm wet."

"Say it properly."

"My cunt is wet."

"For who."

"For you — for you, Ethan, only you — "

"That's right." He drove in harder and she felt it in her spine, in her teeth. "Because you signed. Because you're mine now, and everyone who looks at you is going to see this collar and know what you are, and you're going to wear it and think about my cock inside you every time you feel it against your throat."

"Yes — " She was crying. She hadn't noticed when it started. The tears were running sideways into her hair and the pillow and she was not sad, she was not anything she had a word for, she was full, she was stretched, she was being fucked so deep that every thrust pushed a sound out of her she couldn't control.

He leaned over her. His chest came down on her back, his mouth at her ear, and the angle changed and he went deeper and she sobbed.

"You're going to come on my cock," he said. "You're going to come without asking, because I'm telling you to, and then you're going to thank me for it. Do you understand."

"Yes — "

"Say yes, Ethan."

"Yes, Ethan."

He moved. There was no countdown, no last slow pull-out to make her wait — he simply fucked her, and the rhythm he'd held in check came off the leash all at once, hips slapping into the heat he'd raised on her ass, and every strike of him landed on skin that was already burning, so the two pains braided together and she couldn't tell them apart anymore. The rope creaked. The bed frame knocked the wall in a steady ugly rhythm. She turned her face into the pillow and bit it and heard herself make sounds that weren't words, and behind her he said nothing at all, just breathed, hard and even, the way he breathed in the pool at dawn, and the evenness of it was worse than shouting — he was not lost. She was.

"Ethan — " it came out wrecked. "Ethan, I'm going to — "

"I know." His hand left her hip and closed around the back of her neck, over the collar, fingers sliding under the leather, and he used it to lift her face off the mattress, to arch her spine so her ass pressed up into him, and the angle went through her like a key in a lock. "You don't get to decide when. You hold it. You hold it until I say, and you say yes, Ethan, and you keep saying it, and if you come before I tell you to I'll stop and leave you tied like this and go make coffee."

"Yes, Ethan."

"Again."

"Yes, Ethan."

"Good. Now."

And the permission went through her before the word finished leaving his mouth — her cunt clenched around his cock in a long rolling grip that pulled a sound out of him, the first real sound, low in his chest, and she felt it against her back where he was pressed to her. She came with her wrists bound and her face in his sheets and his hand on her collar, and it was not the tidy thing she'd read about in books; it was her whole body seizing, thighs shaking, a wet rush she felt run down the inside of her leg, her mouth open against the mattress saying his name in pieces, and he kept fucking her through all of it, harder, riding the clench, until her sounds went thin and animal and he drove in once more and held — buried to the base, hips flush to her burning ass — and came inside her with a groan that he cut off by pressing his mouth to the back of her neck.

She felt it. The pulse of him, the heat of it, the way he stayed put and let it happen instead of pulling out to finish on her skin — he'd decided she would keep it, and she lay there full of him and shaking and understood that the decision had been made for her and that she wanted it that way. He stayed in her a while. His breathing came down slowly, the way it did after laps. His thumb moved once along the collar where it crossed her throat, a small idle stroke, and then he pulled out and she felt the drag and the sudden spill of him running out of her, down over her swollen cunt, onto the sheet, and she made a sound at the loss of him that she would have been ashamed of an hour ago.

He untied her first. Not the collar — the rope, and he did it slowly, working the knots open with his fingers, and when her wrists came free he took each one and turned it over and looked at the marks the rope had left, red bands, and he pressed his thumb into the deepest of them and watched her face while he did it. "Say when they stop hurting," he said. "Not now. Later. That's not a rule, that's a report." Then he rolled her onto her back, and her arms ached and her ass burned and her legs would not close all the way, and he looked down at her for a long moment — the collar, the marks, the mess between her thighs — and his face did something she hadn't seen before. It softened, one degree, the way the kitchen had softened at four in the morning. He touched the silver ring at her throat with one finger, tipped it so it caught the light, and let it fall back.

"You didn't use the safeword," he said.

"I didn't want to."

"I know. I watched your hands." He said it without ceremony, like a man reporting a fact from a ledger, and then he left the bed, and she heard the bathroom tap run, and he came back with a warm cloth and cleaned her — between her legs, careful, thorough, the same as the first night — and then he pulled the ruined sheet off the bed and dropped it on the floor and lay down beside her on the bare mattress, on his back, one arm under his head, looking at the ceiling. The collar stayed on. He had not reached for it once.

She turned her head on the pillow to look at him. The sun had crossed the room and gone amber, low through the glass, and the city beyond it was doing its ordinary evening things — a ferry horn somewhere on the water, a sated hush in the traffic below. Her body was a catalogue of what he'd done to it and she felt more awake than she had in years. "You never told me what the collar means," she said. "On the list. It was just a word on a line."

"It's not a word on a line anymore." He didn't look at her; he looked at the ceiling, at the hairline crack in the corner she'd stared at in the dark. "It means you don't take it off without asking. Not for work, not for your mother, not for Maya. You wear it under your shirt and you feel it and you remember. And when you're not wearing it, you'll still feel where it was." He turned his head then, and his eyes were on the leather at her throat. "Tomorrow you go home and pack. You move in. That's in the contract too, and you initialed it, so don't look at me like I'm springing it on you."

"I'm not." She wasn't. She was looking at him because her phone was in her coat pocket in the other room with seventeen unread texts from Maya, and she had not thought of it once since the kitchen, and the not-thinking-of-it was its own answer, sitting there unread the way the folder had sat. "Maya's going to ask where I've been."

"Then decide what you tell her." He sat up, swung his legs off the mattress, and stood, and the light caught the thin silver watch, and he looked down at her lying there on his bare bed with his collar on her neck. "That's the first thing the collar asks you to do. Not me. You. Decide who gets to know, and live with it." He walked to the door, and at the threshold he stopped without turning. "Shower's yours. There's a shirt in the closet that fits you better than that one. Then come eat — you're going to be hungry in an hour and I'm not feeding you at the table twice in one day."

He went down the hall. She heard the refrigerator open, and a drawer, and the small domestic music of a man starting dinner in a kitchen where, four hours ago, she had knelt on the cold marble and been collared. Lianna lay still and listened to it, and lifted her hand to her own throat, and found the leather there — warm now, warmed by her own body — and the ring moved against her pulse when she swallowed, and she lay on the stripped mattress in the amber light and did not take it off.

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