The Early Return
Her command · Chapter 28 of 29

The Early Return

The sedan idles at the curb, Sera's hatchback a silver accusation in the driveway. Nate cuts the engine, turns to Viv, and says, 'You stand up straight, you don't speak a word unless I say so, and you let me handle her.' Viv hisses back, 'I'm dressed like a whore with fresh holes in my nipples and a tail up my ass—how the hell am I supposed to act normal?' He grips her chin, thumb pressing her jaw until she meets his eyes. 'You don't act. You stand there and look like what you are. Trust your master.' He gets out, comes around, and opens her door. She rises on the heels, the tail swinging against her thighs as he walks her up the path. The front door is unlocked. Sera is in the living room, frozen mid-step, her eyes going from Viv's bare midriff to the tail to Nate's face. She says, 'What the hell is going on in this house?'

The engine ticked down into silence, and the silence had a shape, and the shape was that little silver car sitting in the drive with its dented bumper and its bike rack like a joke nobody was laughing at.

Nate's hands stayed on the wheel. He didn't move for a long moment, and Viv watched his jaw work, watched him do the arithmetic she couldn't see. Then he turned to her, and his gray eyes had gone flat and calm the way a lake goes calm before you find out how deep it is.

"Here's how this goes," he said. "You stand up straight. You don't speak a word unless I say so. You let me handle her."

The laugh came out of her before she could stop it, ugly and high. "Handle her. Handle her." She turned in the seat, and the tail dragged against the leather, and the rings in her nipples pulled at the thin cotton of the blouse he'd chosen, and she felt every single one of the things he'd done to her this morning announce itself at once. "Look at me, Nate. Look at me. I'm dressed like a whore. I've got fresh holes in my tits and a tail up my ass and I haven't eaten in a day and a half. How the hell am I supposed to walk in there and act normal?"

He reached over and took her chin. Not hard — the way he did it now, thumb pressing up under the bone, steady, unhurried, until she had nowhere to look but at him.

"You don't act," he said. "That's the thing you still don't get. You're not going to perform normal, because you can't, and the second you try you'll give us both away. You stand there and you look like exactly what you are. That's all. Trust your master."

Trust your master. She wanted to spit in his face. She wanted to claw the calm out of his eyes. What she did was nothing at all, which was the answer he'd been waiting for, and he let her chin go and got out of the car like it was any other morning.

He came around the hood. Through the windshield she watched him walk — that loose, oversized way he had, like his own body was a coat he hadn't grown into — and then the door opened on her side and the morning air came in, cool and smelling of cut grass and somebody's sprinkler.

She got out. The heels were his choice too. She rose to her full height on the driveway, and the tail swung back against her thighs, heavy at the end where the silicone knotted into the plug seated deep in her, and the pull of it made her step hitch. She caught herself. Straightened. Stood up the way he'd told her, chin level, hands loose.

The neighbor's dog was barking somewhere behind the hedge. A sprinkler ticked its slow quarter-circle over a lawn two doors down. Ordinary things, doing ordinary things, while she walked up her own front path with a tail hanging out of her trousers and two small cold rings of silver stitched through her.

The front door was unlocked. Of course it was. Sera had come home.

Nate went in first and she followed, and the house breathed out at her — that smell of lemon polish and old wood that had been the smell of her life for six years, and the hall rug worn in the same place, and the coat hook where Harry's raincoat used to hang and didn't anymore. She had maybe three seconds of ordinary before the living room opened up.

Sera was in the middle of the floor, frozen mid-step, a canvas tote still over her shoulder, her keys still in her hand. Her hair was down out of its ponytail for once, honey-blonde and a little flat, like she'd slept on it wet. And her green eyes went — Viv could track them like a hand moving across a page — from Viv's bare midriff to the low waistband of the trousers to the tail, and her face did something Viv had never seen it do. It emptied.

"What the hell," Sera said. Her voice came out quiet and wrong. "What the hell is going on in this house?"

Viv said nothing. Her jaw was locked so tight her teeth ached, and she stood there in the middle of her own living room with her hands at her sides, and she looked at her stepdaughter and didn't say a word, and the not-saying was its own kind of scream.

"Sera." Nate's voice was mild. He set his keys down on the hall table, aligned them the way he aligned everything, and walked past her into the room with his hands loose at his sides. "You're back early."

"Don't." Sera's keys came up, a little fist of them, like she might throw them. "Don't you dare 'you're back early' me. I have been driving all night. I have been driving all night because I couldn't — " She stopped. Her eyes swung back to Viv and stuck there, and the question in them was so big it filled the room. "Viv. What is that. What is that in your — " She couldn't finish it. Her mouth worked. "Are you — is this some kind of — "

"Sera." Nate again, softer now. He stopped a few feet from her, and he did the thing he was good at, the thing that made Viv's skin crawl — he made himself smaller, his shoulders a little rounded, his face open and tired. Grieving. "Hey. Look at me. Not at her. At me."

And Sera looked at him. That was the worst part. She looked at him.

"I know this is a lot," he said. "I know. You left in the middle of the night, and I didn't know where you were, and I've been — honestly, Sera, I've been scared. Dad's gone and you were gone and it's just been me and her in this house and I didn't know if you were safe."

"Don't talk to me about safe." Sera's voice cracked. "Nate, there is a — there is a thing hanging out of her. She's standing there like a — like a — " Her hand came up and dropped. She looked at Viv again, and this time it wasn't a question, it was a plea. "Viv. Say something. Please. Just say something to me."

Viv's throat closed. She could feel Nate's eyes on her from the side, the weight of them, the rule sitting in her mouth like a stone she wasn't allowed to swallow. You don't speak a word unless I say so. And there was Sera, twenty-one years old, asking her the one thing she couldn't give.

She looked at the floor. The rug. The worn place where everyone walked. She looked at the floor and let Sera have the silence.

"Okay," Sera whispered. "Okay. So that's how it is." She turned on Nate, and the tears in her eyes had gone hot and hard. "What did you do to her?"

Nate exhaled. He put his hands in the pockets of his jeans and looked at the ceiling, at the light fixture Viv had picked out at a showroom in the city, and when he looked back down his face was the face of a boy who was tired of carrying something too heavy.

"She's sick, Sera," he said. "That's what's going on. She's been sick since Dad died and she's been hiding it from everyone, and this — " he gestured vaguely at Viv, at the tail, at all of it — "this is what it looks like when it finally comes out. I found her like this a few weeks ago. I've been trying to keep it quiet. Trying to keep it in the house."

Viv's fingernails bit into her palms. Sick. He was calling her sick. And the awful thing, the thing that turned her stomach, was how good he was at it — the timing, the tired voice, the way he let his eyes go wet at the edges without ever quite crying.

"That's a lie." Sera said it flat. But she said it too fast, and Viv heard the crack in it. "That's a lie, Nate. She's not — she wouldn't — " She looked at Viv again, at the bare skin above the low waistband, at the small silver rings pressing through the cotton, and her voice died in her throat.

"You saw the money," Nate said quietly. "You saw what she did with Dad's account. You saw her face when I asked her about it." He took a step closer to Sera, and his voice dropped, and it was almost gentle. "She's not well. She's been stealing and lying and — " he tilted his head at Viv — "and this. This is what she's been doing behind closed doors. I've been trying to protect you from it. I've been trying to protect Dad's name."

"Protect me." Sera's laugh was a terrible little sound. "You hit me, Nate. You put your hand on my face and I woke up on the floor."

"I know." He said it immediately, and his voice broke on it, and it was so convincing that Viv felt the floor tilt. "I know. And I have thought about it every single night since. I lost my temper and I put my hands on my sister and I hate myself for it. I do. But Sera — " he swallowed — "I was trying to keep you out of it. I was trying to keep you from seeing her like this. And you wouldn't let it go, and I panicked, and I'm sorry. I'm so sorry."

The room went quiet. The refrigerator hummed. Somewhere upstairs a clock ticked, and Viv thought, very clearly, that she could not remember the last time she had heard that clock because she had not been upstairs in her own bedroom in weeks.

Sera stood with her keys in her fist and her tote over her shoulder, and Viv watched her decide. She watched it happen — the way Sera's jaw worked, the way her eyes went from Nate to Viv and back, the way the need to believe him fought the thing she'd actually seen. And Viv understood, with a cold drop in her stomach, that she could end this. One word. One word and the whole thing came down.

But the word was behind a rule, and the rule was behind a photograph on his phone, and the photograph was behind everything she had let him do to her since the day Harry's plane went into the water. She stood there with her mouth shut and watched her stepdaughter choose.

"I want her to tell me," Sera said finally. "Not you. Her. I want to hear it from her."

Nate turned his head. He looked at Viv, and there was nothing in his face at all, and that was the tell — that was the moment she knew he was doing sums, the way he did sums, the way he had been doing sums about her since the night he'd cornered her in the empty house with a photograph in his hand.

"You can ask her," he said. "But you won't get much. She goes somewhere else when it's bad. Don't you." The last two words were for her, and they were not a question, and the softness in them was the softness of a hand on the back of her neck.

Viv lifted her eyes. She looked at Sera — really looked, the freckles, the green eyes so like her father's it hurt, the bruise finally faded to yellow at her temple — and she said, in a voice that came out steady and strange, "I'm sorry, Sera. I'm so sorry you had to see this."

It was the truest thing she'd said in weeks. It was also, she understood, exactly what he needed her to say, and she hated him for making her mean it and mean it for him at the same time.

Sera's face crumpled. She turned away, dropped her tote on the couch, and stood with her back to both of them, one hand pressed flat against the wall, her shoulders going up and down.

"I can't do this," she said to the wall. "I can't be in this house. I came back because I couldn't sleep and I thought — I thought if I came home — " She laughed again, wet and broken. "God. I don't know what I thought."

Nate crossed to her. He put a hand on her shoulder, and she didn't shake it off, and Viv watched her stepson comfort his sister with the same hand that had held her down in the storage room, and she felt something in her chest go very quiet and very cold.

"Stay," he said. "Okay? Just for today. You've been driving all night. You're exhausted and you're grieving and you're scaring yourself. Sleep. I'll make you something to eat. And we'll figure out what to do about — " he tipped his head toward Viv — "about her. Together. Like a family."

Like a family. Viv nearly laughed. She stood in her living room with her tail against her thighs and thought, this is what it costs. This is the bill for the photograph and the money and every time I knelt.

Sera turned around. Her face was a mess, and she wiped at it with the back of her wrist, and she looked at Viv one more time — a long look, a look that said I see you and I don't understand you and I'm so tired — and then she looked at Nate and nodded.

"Just today," she said. "And then I'm going back to the city. I can't — I need to be somewhere else."

"Just today," Nate agreed. He squeezed her shoulder and let her go, and when he turned back to Viv, his face had already changed, the grief put away like a tool in a drawer. "Viv. Go upstairs and get cleaned up. You look like hell."

It was the dismissal, and it was also a door, and she took it. She walked — walked, not crawled, because Sera was watching and he had not said crawl — to the stairs, and the tail swung behind her with every step, and she felt Sera's eyes on it the whole way up.

In the upstairs hall she stopped. Her hand found the bannister, and she stood there breathing, and she could hear them below — Nate's low voice, Sera's answering mumble, the creak of the couch as someone sat down. The house had gone back to being a house.

She went into the master bedroom and closed the door and stood with her back against it, and for a long moment she just looked at the cage in the corner. The dog cage. The blanket folded inside it. Her bed, he'd said, and she had crawled into it and slept like an animal while he slept in the bed above her.

Her hands were shaking. She held them out and looked at them, and they were shaking, and she thought: he's going to keep her here. He's going to keep Sera here today, and he's going to do whatever he does to me in this house, and Sera is going to hear it. Sera is going to hear everything.

The thought should have terrified her. It did terrify her. But underneath the terror, small and mean and alive, was something else — something that had been dying in her for weeks and had just been fed. Sera was home. Sera had seen. Sera had asked. The door he'd closed on her, on everyone, had a crack in it now, and through the crack came light.

She pushed off the door. She went to the bathroom and ran the water cold and put her wrists under it, and the rings in her nipples ached with the change of temperature, and she looked at herself in the mirror — auburn hair flat from the morning, no makeup, a woman in her mid-forties with dark smudges under her eyes and a tail hanging down behind her — and she said, out loud, quietly, to the mirror, "You are not sick. You are not sick."

The words came out thin. But they came out.

Downstairs, a chair scraped. Footsteps crossed the hall and started up.

Viv turned off the water. She dried her hands on the towel — the good towel, the one with the monogram — and she stood in the middle of the bathroom and waited, because there was nothing else she could do, because the footsteps were his, because he had told her to get cleaned up and he was coming to see that she had.

The door opened without a knock.

Nate stood in the doorway with his thumb hooked in his belt loop, and he looked at her, and the look was not angry. That was the thing about him. It was never angry when it was worst. It was patient. It was the look of a boy who had all the time in the world and knew exactly how he was going to spend it.

"She's asleep on the couch," he said. "Cried herself out. She'll be down for an hour, maybe two." He stepped into the bathroom and pulled the door shut behind him, and the click of the latch was very loud in the small tiled room. "So we've got an hour, maybe two. And you and I need to have a conversation about what you're going to do while my sister's in this house."

Viv's back found the sink. The cold porcelain pressed into her spine. "Nate — " she started, and stopped, because she didn't know what came after it. Please. Don't. She's your sister. She's right downstairs.

"Here's the thing." He came closer, and his voice was quiet, and his hand came up and his fingers found the collar of her blouse and worried at the cotton, at the small hard shape of the ring beneath it. "You did good down there. You didn't say a word. You looked at the floor and you let me talk and you said exactly the right thing at exactly the right time." His thumb brushed the ring, and her nipple tightened under it, and she hated her body, she hated it, she hated it. "That's the first time you've done what you were told without me having to make you. So here's your reward."

"I don't want a reward."

"You don't get to not want things." He said it without heat, almost kindly, and his other hand found her hip and turned her, and the sink edge dug into her stomach and she had to put her hands out flat on the mirror to keep from falling. "You want to know what your reward is? Your reward is that I'm not going to take you downstairs and bend you over the back of that couch where she can hear. I'm going to take you right here, quiet, with the water running, and you're going to keep your mouth shut, and neither one of us is going to make a sound."

The water. She hadn't turned it back on. He reached past her and did it himself, and the pipes knocked and the water came out in a rush, cold, and he left it running, and the sound of it filled the room like a held breath.

"Nate," she said again, and this time it came out different. Not a plea. Not a protest. Something worse — something that was almost a question, and the question was what he was going to do to her and how long it would take and whether she would be able to keep quiet, and he heard all of it, she could tell he heard all of it, because his eyes came up and they were bright and pleased.

"There she is," he said softly. "There's my good girl."

His hand slid around her waist and found the tail where it hung against her thigh, and he took it in his fist and pulled — not hard, just enough, and the plug shifted inside her and her whole body jolted and her fingers squeaked against the mirror.

"That's it," he breathed against her ear. "Feel that. You've had it in you all day, all night, and you're so used to it you forgot it was there, didn't you. Didn't you."

"Yes." The word came out before she could stop it. "Yes, I — I forgot."

"You forgot your master was in you." He pulled again, slow, and the plug came out of her with a wet little sound and she bit down on her lip hard enough to taste copper. "That's a shame. Because I never forget." He set the plug on the edge of the sink, and the tail lay there dripping, and then his hand was between her legs, his fingers sliding through her, and she was wet, she was so wet, she had been wet since the car and she hadn't let herself know it. "Look at that. Look how wet my stepmother gets when I threaten to fuck her with her daughter in the next room."

"Stepdaughter," she whispered, and she didn't know why she said it, except that it was true, and the correction came out of her like a reflex, like the last piece of the woman she used to be.

He laughed, low, against her neck. "Stepdaughter. That's right." His fingers found her clit and pressed, and her hips bucked against the sink and she made a sound and he clapped his other hand over her mouth. "What did I say. What did I say about quiet."

She nodded against his palm. She couldn't speak. His fingers were moving and his hand was on her mouth and the water was running and she could hear, faint and muffled through the floor, the sound of her stepdaughter sleeping on the couch.

"You're going to take me in your ass," he said into her ear, conversationally, as if he were telling her what was for dinner. "Here. Against the sink. Because you're already wet enough and I'm not going to be gentle and I want to hear you try not to scream."

Her whole body went still. "Nate — "

"You've been wearing a plug in it all week. It's open. It's ready." His hand left her mouth and found the waistband of the trousers and shoved them down, and the cool air hit her bare legs and her bare ass and she was standing in her own bathroom with her trousers around her ankles and her stepson's hand between her legs. "You want to know what the rule is now? The rule is you don't come until I tell you to. And you don't make a sound until I tell you to. And if Sera wakes up and comes up those stairs because you couldn't keep your mouth shut, I'll tell her everything. The photo. The money. The way you beg. All of it."

"You wouldn't."

"Try me."

She believed him. That was the thing. She believed him completely, and her body believed him too, and she felt her cunt clench around nothing and her ass ache where the plug had been, and she put her forehead against the cold mirror and closed her eyes.

"Please," she whispered. "Please, Master."

"Please what."

"Please — " Her voice cracked. She didn't know what she was asking for. To be let go. To be taken. To be finished. "Please don’t fuck my ass, Master. Please. She’ll wake up."

His hand closed on the back of her neck and pushed her down.

Not far — just enough. Her palms slid on the mirror and her spine folded, and her face came down level with the sink basin, close enough that she could see the water running in a thin bright thread past the drain. Her trousers were still around her ankles, and his other hand found the small of her back and held her there, bent, her ass lifted and offered up to the empty air of her own bathroom.

"Count them," he said. "In your head. Don't say a word out loud."

The first slap landed on the left cheek and it was not a soft one. It cracked across her skin and the sound of it went into the tile and bounced, and she bit down on the inside of her cheek to keep from crying out, and her eyes watered at the sting of it, hot and spreading.

Second one. Right cheek. Harder. Her hips bucked against the sink edge and she felt the burn bloom and settle, and the water kept running in that flat cold hiss.

Third. Fourth. He spaced them out, patient, letting each one land and live before the next, and she counted in her head the way he'd told her, and her hands slipped on the mirror and she pressed her forehead to the glass and breathed through her nose and made no sound at all.

"You're doing so good," he said behind her, low, and the praise was worse than the slap. "Not a peep. You hear her down there? She's asleep. She's dreaming. And you're up here being good."

Fifth. Sixth. Her ass was on fire, both cheeks hot and stinging, and she could feel the shape of his hand in the heat of them, and she knew without looking that they were going red.

"Now," he said, and his voice changed, dropped into something quieter and more serious, and his hand came to rest flat on the hot skin of her ass, not slapping, just resting there. "Now I'm going to ask you something and I want you to answer me honest."

She waited. The water ran.

"You've given me your mouth," he said. "You've given me your cunt. You've worn my plug and you've slept in my cage and you've had my rings put through your tits. But there's one thing in you nobody's ever had, is there. Not my dad. Not the one before him. Not anybody."

Her throat closed. She knew what was coming. She knew it before he said it and she started shaking her head against the mirror.

"Are you ready," he said, slow, "to lose your last virginity? The last piece of yourself nobody's ever touched?"

"No." It came out of her broken, wet, muffled against the glass. "No — no, Nate, please, not that, not — "

"Say it properly."

"No, Master." She was sobbing now, she realized, the tears coming hot down her face and dripping into the sink basin, and she couldn't stop them. "No, Master, please, I'm not ready, I'm not — "

The slap came down hard on her right cheek, harder than any of the ones before it, and the crack of it filled the bathroom and her whole body jerked and a raw cry tore out of her before she could catch it.

"Shh." His hand was on her back, pressing her flat. "Quiet. You want her to come up those stairs?"

She shook her head frantically against the mirror, her cheek pressed to the cold glass, tears smearing on it.

"Do you need more?" he asked. "Is that what you need? More of that?"

She didn't answer. She couldn't. Her mouth was open and nothing came out of it, and she lay there trembling with her ass burning and her face wet and her hands flat on the mirror, and she didn't say yes and she didn't say no, and the silence stretched.

"That's all right," he said at last, and his voice was almost gentle. "You get to ask for your punishment later. Both of them. Every stroke you owe me for being stubborn today, you'll ask for them out loud, one at a time, and you'll thank me for every one." His hand slid down her spine, down over the hot skin, and his fingers found the place where her ass met her thighs and slipped between them, and she felt how wet she was, how her cunt had gone slick and traitorous while he beat her. "But right now — right now you get to feel your master's cock in your ass like the fucking cumdump you are."

She heard him unfasten his jeans. The zip came down with a sound like a small tear, and she heard the rustle of denim, and then the blunt hot head of him was there, pressing at her, finding the place the plug had been keeping open all week.

"Breathe out," he said.

"Nate — "

"Breathe out, Viv."

She breathed out. And he pushed.

The burn was instant and enormous. It was nothing like the plug — the plug was a small hard thing she could carry inside her and forget; this was a whole living pressure splitting her open, and her mouth came open in a silent scream against the mirror and her hands scrabbled on the glass and her whole body went rigid, and he kept pushing, slow, relentless, until the widest part of him had forced its way past the ring of muscle and seated itself deep.

"Get it out." She heard her own voice come out cracked and high and pleading. "Get it out, get it out, please, Master, it's too — it's too much, please — "

"It's in," he said, and his voice was thick, and his hands were on her hips holding her steady. "It's in you, and you're going to take it."

"Please." She was sobbing openly now, her face pressed to the mirror, tears running down and dripping off her chin into the sink. "Please, Master, it burns, it's burning, get it out of me, I can't — "

He pulled back, slow, and the drag of it was a fresh agony, and then he pushed in again, and her gasp tore out of her and she clamped her hand over her own mouth to muffle it.

"That's it," he said. "Keep it quiet. Keep it quiet and take it."

And then he began to move.

Each thrust was a slow deep burn, and she felt every one of them, felt the stretch of him going deep and the drag of him pulling back, and her body didn't know what to do with it, couldn't decide between pain and the awful something underneath the pain. Her gasps came out muffled behind her own hand, sharp little breaths, and with each one her hips jerked against the sink edge and her ass burned and her cunt clenched on nothing.

"You feel that," he said against her ear, not even breathless, driving into her steady as a machine. "You feel how tight you are. Nobody's ever been here, have they. This was mine to take and I'm taking it."

She nodded without meaning to, her forehead grinding against the glass, and a sob hiccuped out of her.

"Say it. Quiet. Right in the mirror."

"It's — " Her voice broke. She swallowed and tried again, watching her own ruined face in the glass. "It's yours. It's yours, Master."

"That's my girl."

He sped up. The slaps of his hips against her burning cheeks were muffled by his own body, by the water, by her hand over her mouth, and she held on to the sink and took it, and the pain didn't go away, but it changed, it went low and hot and spread, and she felt something building underneath it that terrified her more than the pain did.

"Nate — " she gasped, and then caught herself, and corrected it, "Master — Master, I'm — "

"You're what."

"I'm going to — " She couldn't say it. She pressed her face into the crook of her arm and her whole body shook with the effort of holding it back. "Please, Master, I don't want to — not like this, not from — "

"You don't want to come with my cock in your ass?" He laughed, low, and drove deep, and held himself there, buried, and she felt the pressure of him filling her and her whole body clenched around him and she made a sound into her arm that was not quite a sob. "Too late. You don't get to choose where you come. You come when your master's in you and nowhere else."

He pulled back and slammed in, hard, and her hand flew off the sink and slapped flat on the mirror to catch herself, and something in her gave way.

It came up through her like a wave, hot and enormous, and she pressed her mouth to her own arm and bit down on her wrist to keep the sound in, and her cunt clenched and her ass clenched around him and her whole body shook, and she came with her face wet and her teeth in her own skin and her stepson buried to the root inside her.

"There she is," he said, and his voice had gone rough at last. "There's my good girl. Feel that. Feel how your ass milks my cock when you come."

She couldn't answer. She was limp against the sink, shaking, her legs barely holding her, and he kept moving inside her through the last of it, and then his rhythm broke and went fast and hard and graceless, and his hands clamped down on her hips and he drove in deep and held, and she felt him come, felt the hot pulse of it deep in her where nobody had ever been.

He stayed there a long moment. Then he pulled out, slow, and she felt the drag of it and the small wet release, and something of him followed, warm, running down the inside of her thigh.

She stayed bent over the sink, her forehead on the mirror, breathing in ragged little pulls, the water still running its cold flat hiss into the basin.

"Straighten up," he said. "Before you drip on the floor."

She straightened. Her legs shook. She got her trousers up and her hands were clumsy and the fabric dragged over her burning ass and she made a small hurt sound she couldn't help. Her face in the mirror was a ruin — red eyes, wet cheeks, hair stuck to her temple.

Behind her reflection, Nate did up his jeans. He picked the plug up off the edge of the sink, and he looked at it, and then at her, and his mouth curved.

"Turn around," he said.

She turned, and he took her hip and turned her again until her back was to the sink, and he lifted the plug and pressed the cold tip of it back against her, and she flinched.

"Please," she whispered. "Not — not again, not yet, I'm sore — "

"You wear it," he said, and pushed, and she gasped and grabbed his forearm and the plug slid home into the stretched sore place with a burn that made her eyes water all over again. "That's the rule. You wear my tail." He settled it, and the tail hung down behind her through the hole in her trousers, and he smoothed a hand down her hip. "Now clean your face. She'll be waking up soon."

He turned off the water — the silence after it was enormous, ringing — and went out and pulled the door shut, and she stood alone in the bathroom with her hands on the sink edge and her ass burning and his cum warm and leaking inside her.

She looked at herself a long moment in the glass. Then she reached for the good towel and wet a corner of it and started wiping her face.

She wiped until the towel came away clean, and then she stood with it crumpled in her fist and listened to the house. The pipes ticked in the wall. Somewhere below, a floorboard creaked, and then another, and then the low murmur of Nate's voice carrying up the stairwell, and she couldn't make out the words but she could make out the tone of them — easy, unhurried, a boy talking to his sister.

Sera's voice came back, muffled, and then a laugh. A real one. Viv's hand tightened on the towel.

She hung it on the ring and looked at her own face one more time. The crying had done something to her eyes she couldn't hide — swollen and pink at the rims — and there was a red mark on her wrist where her own teeth had been. She pulled her sleeve down over it. She smoothed her hair back from her temple with both palms, and the auburn fell into place like it always did, sleek and expensive, and she hated it, suddenly, how well it obeyed her.

When she came down the stairs, her hand on the rail, her ass still burning against the seam of her trousers and the plug shifting with every step, Sera was standing in the kitchen with her back to the island and a mug of coffee in both hands, and Nate was leaning against the counter with his ankles crossed.

"There she is," Sera said, and her face did something complicated — relief and guilt and the leftover shell-shock of whatever she'd driven through the night carrying. "God, look at you. You look like you haven't slept in a week."

"I haven't." Viv crossed to the kettle. Her legs were steady. She made them steady. "You drove all night."

"I drove all night." Sera set her mug down and came around the island, and before Viv could do anything about it her stepdaughter had her arms around her, brief and fierce, and Viv stood inside it with her hands at her sides and her ass on fire and the plug seated deep in her, and something in her chest pulled tight enough to hurt. "I'm sorry. I'm so sorry. I shouldn't have — I shouldn't have left like that."

"You left a note."

"I know. I know I did." Sera pulled back, her hands still on Viv's arms, and her green eyes went over Viv's face and stopped on the swollen rims of her eyes. "Have you been crying?"

"I've been grieving." Viv said it flat and true, and it was true, and it covered a multitude. "Your father's memorial was two days ago. I've been crying since Tuesday."

Sera's face folded. "God. I'm an idiot."

"You're not." Viv stepped back, out of her hands, and filled the kettle and set it on its base and flicked the switch, and every movement was a small negotiation with the burn between her cheeks. "You're twenty-one and your father is dead and I've been — " She stopped. She had been about to say difficult, and the word sat wrong in her mouth. "I've not been myself."

Nate had not moved from the counter. He was watching her over the rim of his own cup, and there was nothing on his face at all, and that was the worst of it — that he could stand there and drink his coffee and let her do the lying for him.

"Sera," he said. "Why don't you sit down. You look like shit."

"Thanks." But she sat, on the stool at the island, and wrapped both hands around her mug. "I couldn't stop thinking about it. The whole drive. I kept thinking — I shouldn't have believed it, about the money. I know what she's like. I know she'd never."

Viv's hand stopped on the cupboard door.

"I was just so angry," Sera went on. "And then I got to the city and I sat in a parking garage for six hours and I couldn't make myself go to a hotel, and I thought — I thought, what am I doing, my dad just died, and I'm out here acting like — " She pressed the heel of her hand to her eye. "I'm sorry. Viv. I'm sorry I believed him."

Viv turned around slowly. The kettle was beginning to mutter behind her. She looked at Sera, and then past her, at Nate, and Nate's gray eyes came up over his cup and held hers, and there was nothing in them she could read, and she understood — with a clarity that went through her like cold water — that this was the moment. That whatever she said now, he would let her say it, and whatever she said would cost her.

"It doesn't matter," she heard herself say. "It's done. You came home."

Sera looked up. "You're not angry?"

"I'm tired." Viv turned back to the kettle, which had clicked off, and poured the water into the pot and watched the steam rise. "I'm tired and I'm grieving and I'm not angry, Sera. I'm glad you're home."

And she was. That was the thing that frightened her — that it was true, all of it, that she was glad Sera was home and that she meant it, and that she had just told a lie on Nate's behalf and slipped the noose off his neck without being asked, because somewhere in the last month she had stopped being a woman who was blackmailed and started being a woman who protected her blackmailer.

"Well," Sera said, and wiped her nose on her sleeve, and laughed at herself. "Okay. Okay. So what's the plan? Are we — do we need to talk about the estate? Because Dad had a lawyer, right, there's got to be — "

"The lawyer's been in touch," Nate said. "There's a meeting next week. I've been handling it."

"You've been handling it."

"Somebody had to." He said it without heat. "You were gone."

Sera's mouth opened and then closed, and the guilt went across her face again, and Viv watched it happen and understood that Nate had just done something she had not seen him do before — he had used Sera's absence against her, gently, the way you fold a card into a hand, and Sera had taken it and would carry it.

"I'll be here," Sera said. "From now on. I already called the internship, I'm going to — I'll do the rest of it remote or I'll quit, I don't care. I'm not leaving you two alone in this house."

The teapot slipped in Viv's hand. She caught it.

"You don't have to do that," she said, too quickly.

"I want to." Sera turned on her stool to face her, and her chin came up, and there was Harry in her then, that stubbornness, that jaw. "Dad would've wanted — look, I'm not a kid. I know we've all been weird. I know something's been wrong in this house for months, I've felt it, and I've been running from it, and I'm done running. I'm staying. Whatever's going on, I'm staying."

The kitchen was very quiet. The fridge hummed. Out in the yard, a bird was going at it, a stupid repetitive two-note whistle that Viv would remember for the rest of her life.

"That's good," Nate said. "Isn't it, Viv."

She poured the tea. Her hand was steady. "Yes," she said. "That's good."

Sera stayed for another hour. She told them about the drive, about the parking garage, about a trucker who'd bought her a terrible coffee at a service station at four in the morning and told her his whole life story, and she laughed at her own telling of it, and Viv sat on the stool beside her with her tea going cold and her ass smarting against the wood and answered when she was spoken to.

Nate fetched her a second cup without being asked. He set it in front of her and his fingers brushed her wrist, once, and Sera didn't see it, and Viv picked up the cup and drank from it because her mouth was dry and because it was in front of her and because there was no version of this kitchen in which she was allowed to refuse.

"I'm going to go crash," Sera said at last, and stood, and stretched, and her spine cracked audibly. "Wake me for dinner?"

"Sleep as long as you want," Nate said.

She kissed Viv's cheek on her way past — a glancing thing, absent, the way she had a thousand times before — and went up the stairs, and her door clicked shut, and then the lock turned.

Viv sat very still on the stool. The tea was hot in her hands and the plug was a dull ache inside her and his cum had gone tacky on the inside of her thigh.

"You didn't have to do that," Nate said.

"Do what."

"Lie to her." He came around the island and took the stool Sera had vacated, and turned it to face her, and sat, and his knees were almost touching hers. "You could've told her the truth. She'd have believed you now. She'd have believed anything you said."

Viv looked into her cup. "And then what?"

"And then she'd have called the police and I'd have gone to prison and you'd have been free." He said it mildly, like a man discussing the weather. "Isn't that what you want?"

She thought about the cage. She thought about the rings in her nipples, still tender under the silk, and the tail, and the photo on his phone, and the way her body had clenched around his cock in her ass, and the sound she'd made into her own arm.

"Yes," she said. "That's what I want."

"But you didn't say it."

"No." She set the cup down. "I didn't say it."

He reached out and took a strand of her hair between two fingers and rubbed it, slow, watching it slide. "Why not?"

She could have said because I'm afraid of you. It would even have been true. But there was something underneath the fear, something she didn't have a name for and didn't want one, and she sat there with her hair in his fingers and her mouth closed.

"Because you're mine," he said, when she didn't answer, and it wasn't a question. "And you know it. And that's why you lied for me." He let the strand go. "Say it."

"I'm yours, Master."

"Good girl." He stood. "Now get on the floor. She's asleep, but she's not deaf, and I want to give you breakfast."

She slid off the stool and down onto her knees on the tile, and the plug shifted with the movement and she caught her breath, and he looked down at her with her face tilted up and her hands in her lap.

"Ask properly," he said.

Her jaw worked. "May I suck your cock, Master," she said, flat and quiet, and the words tasted like the bottom of a cup. "Please. I want to thank you for — for this morning."

"There it is." He unfastened his jeans and drew himself out, already half-hard, and her stomach turned over at the sight of him. "Open."

She opened her mouth and he fed himself into it, slow, and her jaw ached at the stretch of him, and she put her hands on his thighs and took him down until he nudged the back of her throat and her eyes watered. Above her, he let out a long breath.

"That's it," he said. "Quiet. Slow. You've got a houseguest."

She worked him with her mouth in the quiet kitchen, her knees on the tile, the tea going cold on the island behind her, and thought about Sera asleep upstairs with her door locked, and about how in an hour she would come down and find her stepmother cooking dinner, and how she would never know, would never once guess, what had happened on the floor of her own kitchen while she slept.

And when he came, she swallowed, and thanked him, and he tucked himself away and patted her cheek and went to take a shower.

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