Familiar Scent
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Familiar Scent

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The Trade
20
Chapter 20 of 29

The Trade

The garage door rattles at noon, and I find Ethan on the other side, clean-shaven and holding a paper bag like a peace offering. Derek's hand is a brand on my lower back as Ethan says, 'Vince's brother is handled—he won't touch you again.' Then his eyes drop to my stomach, and his voice softens: 'I want to know if Derek's going to raise it. If he is, I'll step back.' I feel Derek's grip tighten, and I realize the lie is already working—but the cost is Ethan's hope, and I'm the one who has to spend it.

The garage door rattles at noon, the sound bouncing off the concrete walls like a warning shot. I'm on my knees by the workbench, sorting a box of bolts Derek left out, and the noise makes me drop one—it rolls across the floor and stops against a boot. Not Derek's boots. These are clean. Polished. Ethan's.

He's standing in the open doorway, backlit by the noon sun, holding a paper bag like it's a white flag. He's clean-shaven, his brown hair neat, his button-down pressed. He looks like a stranger. He looks like the man I used to think I loved.

Derek appears behind me, his hand finding my lower back before I can stand. His palm is a brand through the thin cotton of my tank top, and I feel his thumb press in—a warning, a claim, a question all at once.

"Vince's brother is handled," Ethan says, his voice flat. "He won't touch you again. I made sure of it."

I don't say anything. The lie is already sitting in my chest, heavy and warm, and I can feel it pulsing with every heartbeat—the secret that this baby might be his, that Derek and I decided to let him believe it.

Ethan's eyes drop to my stomach. Just for a second, but I see it. The hope flickering there, fragile as a match flame in a draft.

"I want to know," he says, and his voice softens, cracks at the edges. "I want to know if Derek's going to raise it. If he is, I'll step back."

Derek's grip tightens on my back. I feel his knuckles press into my spine, and I know what he's thinking—that this is the moment, the one we planned for, the lie we agreed to tell.

But Ethan isn't looking at Derek. He's looking at me. And his eyes are wet.

"Maya," he says, and my name has never sounded so small. "Just tell me. Is he going to be there for it? For you?"

The words are right there. *Yes. He is. He's going to be there for all of it.* That's the plan. That's the shield we built. But I look at Ethan's clean-shaven face, at the paper bag in his hand—probably something stupid, probably a coffee and a croissant from the place I used to like—and I feel the cost of the lie like a stone in my throat.

"He's going to be there," I say, and my voice doesn't waver. "For all of it."

Ethan nods. He sets the bag down on the workbench, careful, like it's something precious. "Good," he says. "That's... good." He backs toward the door, and I can see him rebuilding the walls, the composure, the distance. "I'll leave you alone. Both of you."

He stops at the threshold, one hand on the doorframe. "But if he ever hurts you—if he ever makes you cry the way I did—I'll come back. And I won't be nice about it."

Derek steps forward, his hand sliding from my back to my hip, pulling me against him. "You won't get the chance."

Ethan holds his gaze for a long moment. Then he's gone, the garage door rattling shut behind him, and the silence is so loud I can hear my own heartbeat.

I look down at the paper bag. Inside is a coffee, still warm, and a croissant wrapped in wax paper. My favorite order from the shop down the street from the apartment I left.

Derek's hand is still on my hip. He doesn't say anything. He just looks at the bag, then at me, and I see something flicker in his eyes—not jealousy. Something else. Something like guilt.

"He still loves you," Derek says quietly. "That's not going to make this easier."

I pick up the coffee, feel the warmth seep into my palms. "It makes it safer," I say. "That's what matters."

Derek takes the cup from my hands, sets it down, and turns me to face him. His hands cup my face, grease-stained and rough, and he looks at me like I'm the only thing in the world worth seeing.

"I'm going to be there for all of it," he says, echoing my words back to me. "Every appointment. Every craving at three in the morning. Every time you doubt this. I'm going to be there."

I want to believe him. I do. But as he pulls me into his arms and I press my face into his chest, I can still smell the coffee on the workbench—Ethan's peace offering, his hope, his love—and I know we've spent it like currency. The lie is working. The shield is up.

But the cost is Ethan's hope, and I'm the one who has to spend it.

Derek's hand slides to my stomach, flat and warm, and he presses a kiss to my hair. "Let's go upstairs," he murmurs. "I want to show you something."

I let him lead me away from the workbench, away from the coffee and the croissant and the ghost of the man I used to know. But I don't look back at the bag, because I know if I do, I'll see it—the cost of our safety, sitting there in wax paper, still warm.

The stairs creak under my weight, each step a small confession. Derek's hand is warm on the small of my back, guiding me up, and I can feel the tension in his fingers—not the usual hunger, but something nervous, almost boyish. He's never nervous. That's what makes my stomach tighten as we reach the top.

The hallway is dim, the single bulb in the ceiling fixture casting long shadows across the worn floorboards. The door to the bedroom is closed, and Derek stops in front of it, his hand dropping from my back. He's looking at the door like it might open on its own, like he's not sure he's ready for what's behind it.

"What is it?" I ask, and my voice comes out smaller than I meant it to. "What did you want to show me?"

He doesn't answer right away. He rubs the back of his neck, a gesture I've never seen him make, and his eyes meet mine—those sharp blue eyes that usually miss nothing, that usually see straight through me. Right now they look like they're asking permission.

"I bought something," he says finally, and his voice is rough, scraped clean of the usual teasing edge. "Yesterday. Before the thing with Ethan, before all of it."

My heart is beating too fast. I can feel it in my throat, in my fingertips, in the space behind my ribs where the baby is—where the baby is, I remind myself, and the words feel like a prayer I'm still learning to say.

"Derek." I put my hand on his chest, feel the steady thrum of his heartbeat under the thin cotton of his shirt. "Just show me."

He reaches for the door handle, and I watch his hand—those grease-stained fingers, those knuckles that have held me together more times than I can count—turn the knob. The door swings open, and the light from the hallway spills into the room, catching the dust motes floating in the air.

And there it is. In the corner, next to the bed, propped against the wall like it's been waiting for this moment.

A crib. Still in its box, the cardboard worn at the corners, a picture on the side showing a smiling baby surrounded by stars and moons. The box is huge—bigger than I expected, bigger than I could have imagined—and it takes up half the wall, this impossible, tangible promise made of cardboard and hope.

"I bought it yesterday," Derek says, and his voice breaks on the last word, cracks right down the middle like he's been holding it together all day just to get to this moment. "Before I knew about Ethan. Before I knew about any of it. I just—I saw it in the window of that secondhand shop on Meridian, and I thought—"

He stops. Swallows. His hand is still on the doorframe, knuckles white, and I can see the muscle in his jaw working as he tries to find the words.

"I thought, this is it. This is the thing I've been waiting for my whole life. A reason to be better than what I was."

I can't breathe. The box is just sitting there, this ordinary thing, this piece of furniture that thousands of parents have bought before us, but it's the most terrifying and beautiful thing I've ever seen. Because it's real. Because he bought it. Because he's standing here, this man who took me on a bus without asking, who watched me for three years, who paid off his debts and faced down his past—and he's shaking.

"Derek." His name comes out like a sob, and I'm crossing the room before I know I've moved, my arms around his neck, my face pressed into his shoulder. He holds me, his arms coming around my waist, his face buried in my hair, and I can feel him trembling—this big, solid man, trembling like a leaf.

"I know it's early," he says into my hair, his voice muffled and thick. "I know we don't know anything yet. But I wanted you to see it. I wanted you to know that I meant what I said. Every appointment. Every craving. Every time you doubt this."

I pull back just enough to look at him, to see the wetness in his eyes, the way his jaw is set like he's daring the world to take this from him. And I know—I know in my bones, in the place where the baby is growing, in the part of me that chose him over Ethan, over the stranger on the bus, over everything—that this is real. This is the life we're building, one cardboard box at a time.

"Show me," I whisper, and my hand finds his, squeezing. "Show me what it looks like when it's put together."

His eyes light up—actually light up, like a kid on Christmas morning—and he's already moving, already pulling the box toward the center of the room, already tearing at the tape with those grease-stained hands that have held me, touched me, rebuilt me.

The cardboard flaps open, and inside are the pieces—the frame, the mattress support, the little mobile with the stars and moons. Derek's hands are shaking as he lifts them out, and I watch him, this man who has done terrible things and wonderful things, who took me without asking and then spent every day since trying to make up for it.

He's building a crib. For our baby. For the life we're trying to make.

And I know, standing here in this dim room with the dust motes floating and the cardboard scattered at our feet, that this is the moment everything changes. Not the bus. Not the garage. Not the lies we told Ethan or the threats we faced. This—this is the moment I know, deep in my bones, that I'm exactly where I'm supposed to be.

"Derek," I say, and he looks up from the pieces in his hands, his eyes bright, his smile crooked and real. "I'm going to be here for all of it too."

He sets down the frame piece, crosses the room in two steps, and kisses me—soft, tender, like I'm something precious. Like I'm they answer to a question he's been asking his whole life.

And when he pulls back, his hand finds my stomach, flat and warm, and he looks at me like I'm the only thing in the world worth seeing.

"Let's build it," he says. "Together."

I drop to my knees beside him, the concrete cold through my jeans, and the cardboard crackles under my weight. Derek's already got the rail laid out on the floor, the screws scattered in a little pile like silver seeds. My fingers brush his as I reach for one, and the contact sends a small shock through me—still, after everything, his touch does that.

"Here," I say, pressing the screw into his palm. "This one goes in the top bracket."

He looks at it, then at me, and something in his face softens. "You've done this before."

"IKEA." I pick up another screw, roll it between my fingers. "My mom made me assemble her bookshelves every summer. I got good at it."

He laughs—a low, surprised sound that echoes off the walls. "I should have known. You're too patient for your own good."

The rail is heavy, solid pine, and I help him angle it into place while he fits the bracket. His hands are steady now, the tremor from earlier gone, replaced by the focus I've seen him apply to engines and carburetors and everything else he's ever fixed. I watch his fingers work the screwdriver, the way his knuckles flex, the concentration pulling his brow tight.

"Derek." The word comes out quiet, and he pauses, looking at me. "When did you know? That you wanted this?"

He sets the screwdriver down, and for a moment he just looks at me—really looks, his blue eyes scanning my face like he's memorizing it. "The first time I saw you," he says. "You were walking home from the bus stop, and you had this look on your face. Like you were already somewhere else. Like you were waiting for something to happen."

He picks up another screw, turns it over in his fingers. "I wanted to be the thing that happened."

My throat tightens. I hand him the bracket, and our fingers brush again, longer this time. The lie about Ethan is still there, sitting in my chest like a stone, but it's quieter now. Dimmer. Like a radio turned down low.

"I didn't know I was waiting," I say. "Until you."

He doesn't answer with words. He just reaches out, his grease-stained thumb tracing the line of my jaw, and the touch is so gentle it makes my eyes sting. Then he turns back to the crib, and we work in silence for a while—the click of metal, the whisper of cardboard, the rhythm of our breathing filling the room.

"Hand me the Allen wrench," he says, and I find it in the box, pass it to him. Our fingers touch again. I don't pull away.

The second rail fits into place, and he checks the alignment, running his hand along the wood like he's checking a weld. "This is solid," he says. "Good bones."

"Like its father."

He stops. Looks at me. And I watch the words land, watch his face shift through surprise and something raw and vulnerable before it settles into a smile—crooked, real, the one he keeps for me.

"Yeah," he says quietly. "Like its father."

He turns back to the crib, but his hand finds mine on the floor between us, his fingers lacing through mine. We stay like that for a moment, kneeling on the cardboard, the half-assembled crib rising in front of us like a promise we're still learning to keep.

Then he squeezes my hand and lets go, reaching for the third rail. "Come on," he says. "We've got one more to go."

My fingers freeze on the third rail. The cool metal is smooth under my touch, and I can feel Derek's hand hovering near mine, waiting. But I don't pass it to him. I don't move at all.

"Derek." His name comes out different this time. Heavier. He looks up, and I see the question in his eyes before I can find the words. "I need you to promise me something."

He sets down the screwdriver, his full attention on me now. The garage noise from below is a distant hum, and the room feels smaller, tighter, like the walls are leaning in to hear what I'm about to say.

"Not that you'll be there," I say, and my voice is steady even though my heart isn't. "I already know you will be. I need you to promise me something harder."

His jaw tightens. He knows what's coming. I can see it in the way his shoulders square, the way his blue eyes don't flinch from mine. "Say it."

"If you ever stop wanting this—if you ever wake up one morning and look at me and this baby and feel like it's a trap you can't escape—I need you to tell me the truth." My throat closes on the last word, but I push through. "Even if it breaks me. Especially then."

He doesn't answer with words. He sets the rail down on the cardboard, the sound soft and deliberate, and then he's moving—shifting onto his knees in front of me, his grease-stained hands finding mine on the floor between us. The contact is warm, rough, grounding.

"Look at me," he says, and I do. His eyes are sharp and clear, no deflection, no teasing edge. Just Derek, stripped down to something raw and honest. "I watched you for three years. I took you on that bus because I couldn't stand to watch you fade one more day. I've done terrible things to keep you, and I'd do them again."

His thumb traces the inside of my wrist, right over the pulse point. "But I've never lied to you, Maya. Not once. Not about what I am, not about what I've done, not about what I want."

He squeezes my hands, and I feel the tremor in his fingers—the same one from when he opened the door to show me the crib. "So I swear it. If I ever stop wanting this, I'll tell you. I'll tell you before you have to ask."

The room is silent. The half-built crib rises beside us, the third rail still lying on the cardboard where he set it down. I can hear my own breathing, feel the warmth of his hands around mine, and something in my chest loosens—a knot I didn't know I'd been carrying.

"I mean it," he says, and his voice is rough, scraped clean. "I'd rather lose you with the truth than keep you with a lie."

I don't say anything. I can't. I just look at him, this man on his knees in front of me, his hands holding mine like I'm the answer to a question he's been asking his whole life. And I believe him. That's the terrifying part. I actually believe him.

His grip tightens, just for a second, and then he lets go, reaching for the third rail. "Now come on," he says, and his voice is lighter, the moment passing like a cloud moving off the sun. "We've got one more rail to go, and I want to see this thing standing before dinner."

I pick up the screw, roll it between my fingers, and hand it to him. Our fingers brush, and the contact sends a small shock through me—still, after everything, his touch does that.

"Derek." He pauses, looking at me. "I believe you."

He doesn't smile. He just nods, once, and turns back to the crib. But his hand finds mine on the floor between us, his fingers lacing through mine, and we stay like that for a moment—kneeling on the cardboard, the half-built crib rising in front of us like a promise we're still learning to keep.

The third rail slides into place with a satisfying click, and Derek checks the alignment, running his hand along the wood. "Solid," he says. "Good bones."

"Like its father."

He looks at me, and the words land—I watch them hit, watch his face shift through surprise and something raw and vulnerable before it settles into that crooked, real smile. The one he keeps for me.

"Yeah," he says quietly. "Like its father."

He turns back to the crib, but his hand stays on mine, warm and steady. The lie about Ethan is still there, sitting in my chest like a stone, but it's quieter now. Dimmer. Like a radio turned down low.

And I know, kneeling here on the cardboard with the dust motes floating and the half-built crib rising between us, that whatever comes next—Ethan, Vince's brother, Mer, the wait for the test—we'll face it together.

I squeeze his hand. He squeezes back. The silence holds, the crib half-built between us, and it feels like a beginning.

The morning of the appointment, I catch myself in the bathroom mirror and stop. The tank top I've worn a hundred times pulls different now—not tight, exactly, but closer. My hand finds the curve low on my belly, the soft swell that wasn't there a month ago. It's small. Barely anything. But it's there, and I can't stop looking at it.

Derek appears in the doorway, a travel mug of coffee in one hand, his keys in the other. He's wearing a clean shirt—actually clean, no grease stains, the collar straight. I've never seen him in a clean shirt before noon. "You ready?"

I turn from the mirror, and his eyes drop to my stomach, to the hand I've left there. Something shifts in his face—softens, sharpens, both at once. He sets the mug down and crosses the room, his hands finding my waist, thumbs brushing the swell through the cotton.

"You're showing," he says, and his voice is rough, like he's been holding the words in his throat all morning. "I mean—I knew it would happen eventually, but—"

"It's barely anything."

"It's everything." He drops to his knees in front of me, his hands flattening against my belly, and I feel the warmth of his palms through the fabric. He presses a kiss to the swell, slow, deliberate, like he's memorizing the shape of it. "Hey in there," he murmurs. "We're going to see you today."

My eyes sting. I put my hand on his head, feel the mussed sand-brown hair under my fingers. "You're going to make me cry before we even get in the truck."

He grins up at me, that crooked, real smile. "Good. Then I'll know you're human."

The clinic is a low brick building on the edge of town, the parking lot half-empty. I've driven past it a dozen times without ever noticing it, and now it's the most important place in the world. Derek parks the truck and kills the engine, and for a moment neither of us moves.

"You okay?" he asks.

I look at the building, at the sign above the door—Meridian Women's Health—and I feel the lie about Ethan sitting in my chest like a stone. He thinks this baby might be his. He's out there, somewhere, believing he might be a father. And I'm about to walk into a clinic with the man I actually chose, the man whose child this actually is, and I can't tell anyone the truth.

"Maya." Derek's hand finds mine on the seat between us. "We don't have to do this today. If you're not ready—"

"I'm ready." I squeeze his hand and open the door. "I've been ready for this. I just didn't know it until you."

The waiting room smells like antiseptic and paper. A receptionist with kind eyes and a name tag that says *Gloria* checks me in, and I fill out the clipboard forms with Derek's pen—the one from the garage, the one with grease worn into the grip. My hand doesn't shake. That's the surprising part.

Derek sits beside me in the plastic chair, his knee bouncing, his eyes fixed on the door where the exam rooms are. He's nervous. I've seen him face down men who wanted to hurt him, and he didn't flinch. But here, in this waiting room with its worn magazines and fluorescent hum, he's a different person. He's a man about to see his baby for the first time.

"Maya Chen?" A nurse in blue scrubs holds the door open, and I stand. Derek stands with me, his hand finding my lower back, steadying me—or himself. I'm not sure which.

The exam room is small, the paper on the table crinkling as I sit. The nurse takes my blood pressure, asks about cramping, about bleeding, about the pill I took—the morning-after pill I swallowed at the pharmacy, not knowing if it would work, not knowing if I wanted it to. I answer her questions in a flat voice, and Derek stands by the wall, his arms crossed, watching me like I'm the only thing in the room.

The doctor comes in with a file in her hand. She's older, gray-streaked hair, reading glasses perched on her nose. She introduces herself—Dr. Patel—and sits on the stool, rolling closer. "So," she says, flipping open the file. "First trimester. Let's see what we've got."

I lie back on the table, and Derek moves to my side, his hand finding mine. The gel is cold on my belly, and I gasp, and he squeezes my hand. "Sorry," the doctor murmurs. "It's cold."

The wand presses against the swell, and I hold my breath. The screen is angled away from me, and I can't see anything, just the doctor's face as she moves the wand in slow circles. Her expression is focused, professional—I can't read it. I can't tell if it's good news or bad.

"There," she says, and her voice softens. "There's your baby."

She turns the screen toward us, and I see it—a small shape, curved like a comma, a flicker of light where the heart is beating. It's tiny. It's barely anything. But it's there, and it's ours, and I feel the tears coming before I can stop them.

"Is that—" Derek's voice cracks. "Is that the heartbeat?"

"That's the heartbeat," Dr. Patel says, and she smiles. "Strong one, too. About 150 beats per minute. Right on track for nine weeks."

Nine weeks. I do the math in my head—the bus, the garage, the alley, the morning-after pill—and it all blurs together into this one small shape on the screen, this flicker of light that's somehow already a person. I don't know whose it would have been if the pill had worked. I don't know if it would have been Derek's or Ethan's or Vince's brother's. But it's here. It's real. And it's ours.

Derek's hand is crushing mine, and I don't care. I don't care about anything except the flicker on the screen, the sound of the heartbeat filling the room, the way his thumb is stroking my wrist like he's afraid I'll disappear.

"We're going to be parents," I whisper, and the words feel new, like a language I'm still learning to speak.

Derek doesn't answer with words. He just looks at me, his blue eyes wet, and then he looks at the screen, at the small shape that is our child, and I watch him rebuild himself around the fact of it—the way he's been rebuilding himself around me since the bus, since the garage, since the first time he saw me walking home.

"Yeah," he says finally, his voice rough and thick. "We are."

The doctor prints a picture—a grainy black-and-white image of the small shape, the flicker of light caught mid-beat—and hands it to me. I hold it like it's made of glass. Derek leans over, his finger tracing the outline of the baby, and I feel his breath warm on my cheek.

"Look at that," he says. "Good bones."

I laugh, and it comes out half-sob. "Like its father."

He looks at me, and the words land—I watch them hit, watch his face shift through surprise and something raw and vulnerable before it settles into that crooked, real smile. The one he keeps for me.

"Yeah," he says quietly. "Like its father."

Dr. Patel goes over the next steps—the blood work, the next appointment in four weeks, the vitamins I should start taking. I nod along, but I'm not really hearing it. I'm looking at the picture in my hand, at the small shape that is already a person, at the man beside me who is already a father.

We walk out of the clinic into the noon sun, and Derek's hand finds mine. The lie about Ethan is still there, sitting in my chest like a stone. But it's quieter now, dimmer, like a radio turned down low. Because this—this is real. This is the life we're building, one heartbeat at a time.

"Let's go home," Derek says, and his hand slides to my belly, warm and flat. "Let's go finish that crib."

The crib is still half-finished on the cardboard, the unassembled slats laid out like a wooden skeleton. Derek kneels beside it, fitting a dowel into its socket, and I watch the muscles move in his back through the clean shirt. He's been quiet since the clinic, the ultrasound picture tucked into his breast pocket like a winning lottery ticket.

"So," he says, not looking up. "The next appointment. In four weeks." He twists the screwdriver, testing the joint. "They said we could find out the sex then. If we want."

The words land soft, but I feel them settle in my chest. The sex. A boy or a girl. A person with a name, with a future, with Derek's eyes or my smile or some combination we haven't met yet.

"Do you want to know?" I ask.

He sets the screwdriver down and turns to face me, his blue eyes catching the fluorescent light. "I asked you first."

I run my hand over the swell of my belly, the small curve that's become my favorite thing about my own body. "I think... I want to know. I want to be able to say 'he' or 'she' instead of 'it.' I want to picture them."

Derek nods slowly, a smile tugging at the corner of his mouth. "Good. Because I've been thinking about names."

I raise an eyebrow. "Already?"

"I've had a lot of time to think." He picks up another slat, runs his thumb along the edge. "In the garage, when I'm working. In bed, when you're sleeping. I've been thinking about what we'd call them."

I move closer, settling onto the cardboard beside him, my shoulder brushing his. "Tell me."

He's quiet for a long moment, his thumb still tracing the wood. "There's one I keep coming back to. It's not flashy. It's not trendy. But it's..." He pauses, and I watch his throat move as he swallows. "It's my father's name."

My breath catches. He's never talked about his father before. Not once, in all the weeks we've spent tangled together in his bed, in his garage, in his life.

"What was his name?" I ask, and my voice comes out softer than I meant it to.

Derek looks at me, and for a moment he's not the cocky mechanic with the crooked smile. He's something younger, something raw, a boy who lost someone and never stopped carrying it. "Samuel," he says finally, the name falling out of him like a stone dropped into still water. "Everyone called him Sam."

The name hangs in the air between us, and I feel it land somewhere deep in my chest, next to the lie about Ethan, next to the flicker of the heartbeat on the screen. Samuel. Sam. A name that carries a father I'll never meet, a man who shaped the one kneeling beside me.

"Samuel," I repeat, and the word tastes different in my mouth than it did a moment ago. It tastes like a future. It tastes like a promise.

Derek's eyes meet mine, and I watch the vulnerability flicker across his face before he hides it behind that crooked smile. "It's just an idea. We don't have to—"

"I love it." The words come out before I can stop them, and I'm surprised by how true they feel. "I love it, Derek. Samuel."

He lets out a breath I didn't realize he was holding, and his shoulders drop an inch. "Yeah?"

"Yeah." I reach out and take his hand, the one with the grease worn into the creases of his palm. "If it's a boy. Samuel."

He squeezes my hand, and I feel the tremor in his fingers. "And if it's a girl?"

I look down at the half-built crib, at the slats that will one day hold our child, and I let myself imagine it—a girl with chestnut hair and Derek's blue eyes, a girl who will inherit his stubbornness and my restlessness. "I don't know yet," I admit. "But I'll know it when I hear it."

He lifts my hand to his lips and kisses my knuckles, slow, deliberate, like he's memorizing the taste of my skin. "We've got time," he says against my fingers. "Four weeks to decide."

I nod, but I'm not thinking about the four weeks. I'm thinking about the name, about Samuel, about the way it felt to say it out loud and watch it become real. The lie about Ethan is still there, sitting in my chest, but it's quieter now—a distant hum beneath the sound of our breathing, the creak of the cardboard, the fluorescent buzz of the garage.

Derek turns back to the crib, picking up another slat, and I watch him work—the careful precision of his hands, the way he checks each joint before moving to the next. He's building something for our child, but he's also building something else. A life. A future. A family.

"Samuel," I say again, just to feel it on my tongue, and Derek looks up at me with those sharp blue eyes, and I know—I know—that whatever comes next, whatever Ethan or Vince's brother or Mer throws at us, this moment is ours. This name is ours. This half-built crib, this growing swell, this man who knelt in front of a stranger on a bus and decided she was his—all of it is ours.

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